The Brooklynites A Project by Anthony LaSala and Seth Kushner

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Kyle Robert Brown
Centerfielder for the Brooklyn Cyclones
“The whole atmosphere here in Coney Island is great. The fans, the field, the media—you get the whole major league atmosphere in the minors. It’s a good experience to get now because it develops you into the player you need to be when you make it to the big leagues – with the road trips, the fans when they get on your case, all the different obstacles that you have to be able to handle. The fans here know the game just as well as I do—so when you don’t hit that cutoff guy, or when you strike out when you just need to put the ball in play to get a runner over, they know about it and they let you know. But you just have to suck it up and maintain an even keel.

All the players stay in Poly Tech College. For all the players that never experienced the college atmosphere, you get that there. It’s a nice place to live with the city life right out there. Living in Brooklyn is an experience I will cherish forever—I mean I never even took the subway before I got here.”
Photographed at Keyspan Park in Coney Island.
The Great Fredini
Sideshow personality, 40
“I moved to New York when I was 17. After doing art stuff and glass blowing and other things I started getting interested in magic and illusion. I started doing this levitation trick and performing on the street and as a joke started calling myself The Great Fredini. From there I started performing in Coney Island and the sideshow out there. Dick Zigun had this place up on the boardwalk, Sideshow’s by the Seashore, Coney Island U.S.A. When I first got out there it was even before the sideshow was up. It was really this empty theater essentially. There was just a stage basically. I approached Dick – I had been doing all this artwork that dealt with illusion and magic and crazy contraptions. Eventually I kind of stepped into place as the head MC at the Sideshow in Coney Island. I did magic and human blockhead and all the talking to bring people in. I started swallowing swords around 1992.

What was great about Coney Island at the time was that it still had all the great urban decay with all the original buildings. There was the old Thunderbolt Rollercoaster with all the vines growing all over it. So you really had a sense of the history of the place. And like wise with the sideshow at the time. There was a lot of performers sort of ending their careers. Like Melvin Burkhardt – the original human blockhead and Otis Jordan, the human cigarette factory. The oral history of all the sideshow talk was sort of handed down to us. It was a special time.

Coney Island is great. It is the quinsenntial melting pot of the world. With all the people that live in New York City you can have one audience that is completely like hipsters from Williamsburgh and the next audience is all Hispanic and they hardly understand English and the next audience is half-Hasidic cause it’s a Jewish holiday and the next audience is all black mixed with Islamics. Every single people is represented out there and that kind of strange chemistry of them mixing of it all along with beach, sun, amusement park and alcohol always makes for some great connections with the crowd. And watching the crowd and understanding the crowd dynamic in Coney Island was key. The whole art of the pitch and working the bally – the stage outside - was really the most important thing in terms of affecting the dollar amount.

Now living here in Greenpoint I like the quietness. And I really love our backyard. I’ve never had that before.”
Photographed near his home in Greenpoint.
Matt Rough
Co-owner of Southpaw, 30
“Wiffle Ball and sewer-to-sewer football, baby. Hit me by the hood of the white car. That’s what I remember growing up here. All of New York has that history but for some reason Brooklyn is just a serious melting pot. I grew up loving the Brooklyn Dodgers—even though they were long gone by the time I was born—because that’s all my father used to talk about. He grew up right outside Ebbets Field. My mother grew up in the Jewish projects in East New York. I was born in Brownsville. There is always something to do here. Once you step outside your door, you can have fun with a garbage can if you’re with the right people. I also like the fact that you had to work at having fun—you didn’t have video games. Your mother told you to “Go the fuck outside and go find somebody to play with. Look both ways before you cross, but don’t come back for at least an hour.”

Mike Palms
Co-owner of Southpaw
“I grew up in Prospect Heights when it was the ghetto. I loved being exposed to all the wonderful social deviants at such a young age. Understanding classism and having that kind of exposure to all the ethnicities of this place. Learning about them and eventually learning how to respect them. It’s the largest borough and we speak over 75 different languages. We are everybody. We’re a planet. MC Lyte said it first, right? ‘Brooklyn the Planet.’ Owning this place—Southpaw—it’s what I’ve wanted to do since I was a baby boy. I’ve been a music lover since I was very young. This is my dream. This is my clubhouse during the day and a center for the arts in Brooklyn at night. I appreciate the bar business, but I appreciate the venue business much more because it brings fresh faces and talent that hasn’t been seen in this neck of the woods in years. A lot of people feel like Rock and Roll started in Brooklyn years ago down on Flatbush Avenue at the Paramount. We are just continuing that musical tradition.”
Photographed in their club in Park Slope.
Marlon Gonzalez, 25
“You have so much variety in this place. You go two blocks and you can eat Chinese food. You go three blocks the other way and you can have Italian food. 2 blocks North and you can eat Latin food. What more could you want?”


Vanessa Gonzalez, 27
“Brooklyn is home to me. You have your local baker who knows how many sugars you have in your coffee. You have your local tailor who knows your measurements. You actually talk to your neighbors. I’ll never leave here.”
Photographed near their home in Sunset Park.
Amy Sohn
Author
“I grew up in Brooklyn Heights. I loved growing up there. I ended up going to Hunter in Manhattan and made friends there and certain friends were not allowed to come to Brooklyn to visit me. Which bewildered me because if you got off the subway and looked around Brooklyn Heights, you would see it was a pretty nice place to be. But that just goes to show you what the climate was like in the mid 1980’s—their were kids who weren’t even allowed to ride the subway with their parents. I grew up going to Pierpont playground and hanging out in Cadman Plaza Park and there were a ton of kids.

After college I lived with my parents for a few months before moving to Carrol Gardens and then back to Hicks street in Brooklyn Heights. That really wasn’t a good idea because I was around the corner from where my parents lived. And I lived in a street level apartment so my biggest fear was that they would walk by and see me in the window—so I would always hide and keep the blinds down. Now I live in Park Slope.

At first I stayed in Brooklyn because it was so much cheaper. And then after that, I had so many friends from college and Manhattan who moved to Brooklyn. It seemed like everyone I knew lived here. I also always hated the noise of Manhattan—that feeling that if you got off the subway at 11 o’clock at night that it could be loud around you whereas in Brooklyn – where I lived—you got off the train and it’s quite. And that’s the first thing you notice. And I always liked the feeling of hominess.

When I moved to Cobble Hill it was when that whole Smith Street thing was really getting crazy and I thought that it was a good place to be a single person. Again—it was always hard dragging the Manhattan friends in, but then they would come and say ‘This is really cool!’ They couldn’t believe that you could get the same things in the bars and that it had atmosphere.

I also love the great history of Brooklyn writers—that helps inspire me. I’ve written two novels and both of them are set—at least in part—in Brooklyn. So it’s definitely effected me as a creative person. My second novel started out as my response to the yuppie culture and the parent culture and living in Cobble Hill and wanting to set something in that world. Because it was also a book about someone who was having a little bit of trouble separating from her parents, so I need her to be living in the same neighborhood she grew up in. And that’s what I love about Brooklyn and I hate—you are always running into people that you know. Especially having grown up here. That multiplies the number of people—you are drawing on childhood, high school, college. I was really into Jewish Youth groups. And everyone seems to move back to where they grew up—especially here. But the downside of that is you have very limited privacy. You can be having a fight with a boyfriend in the street and your parent’s friends are walking by. Always embarrassing.

Park Slope is a little crazy to raise a kid—I mean you walk down 7th avenue on a Sunday afternoon and there’s 100 strollers per block warring for sidewalk space—it can be a little bit much. But you know once I’m one of those people I’ll appreciate having the community—and not feeling like an outsider. You know—you can breastfeed anywhere in this neighborhood, you have a million pre-schools, some good public schools, so I’m looking forward to having my child here. And I really wanna raise a city kid. I grew up riding my bike across the Brooklyn Bridge with my Dad and going to Manhattan and going to public libraries and eating Italian ices, and pickles from the barrel, and knishes—I want my kid to have the same experience. I want them to have a really open mind—something that growing up in Brooklyn gives you.”
Photographed at the 2nd Street playground in Prospect Park.
Danny Simmons
Artist and founder of the Corridor Gallery, 61
“I grew up in Queens but I came to Brooklyn in my early 30s because Brooklyn was the hippest place in New York. Why travel all the way from Queens when Brooklyn was the place I was always hanging out in?

I came to Fort Greene for the space. I started looking all over here in Fort Greene because I knew the area—a lot of artists were living in Fort Greene. I just happened upon this building—and I’ve been here for 10 years now. I like this neighborhood because it is a neighborhood. People know each other, people speak to each other, you know your neighbors, you know the kids on the block, the kids know you—they all call me Mr. Danny.

I opened this gallery because I am an artist and because I like to present art. I think this gallery has become a focal point for people in and around Clinton Hill and Fort Greene for arts and culture. It has helped to bring people together. It is one of the things that have brought black artists and white artists into the same space where they get to meet each other. It has added another dimension to the neighborhood that makes it kind of cool. I’ve also been accused of being the first gentrifier—because when you bring in art galleries, that happens. But a gentrifier in a good way.

Brooklyn has given me an artistic community to be a part of—we know each other, we collaborate on many different projects, many arts organizations have grown up in and around this neighborhood, galleries have sprung up and we are all sort of in on the beginning of things happening. So it has given me hope that the arts can be more than just white walls and things on them. That it’s really a community. A place where people fight for change and diversity at all levels. I think this neighborhood has helped sustain my feeling of hopefulness for humanity.”
Photographed in his home in Fort Greene.
Patsy Clark, 57
“It’s the borough that makes this city great. The people here are fighters—you can’t diminish their will power. Especially mine.”



Raymond Joseph Adornato, 50
“Where am I going? I was born two blocks from here. Why do I need to leave? I don’t need to go anywhere. I was born here and I will die here.”
Photographed on 86th Street in Bensonhurst.
Karla Calderon
29, DJ
“What’s interesting about Brooklyn is the fact that there are a lot of high profile restaurants and bars and businesses here, but this place has still somehow remained obscure and humble. I like that obscurity.”
Photographed on the roof of her building in Park Slope.
Yoel Zudah
Boxing trainer
“People from Brooklyn—if you don’t know them they can be the coldest people out there. But if you get to know them they are the best people on earth. The best. You know what I mean? Raising my sons here—at first it was really tough. We moved around some bad neighborhoods and they would be getting into fights with rocks and bottles…gang fights with 15 other kids. I had to teach them how to fight and box and make something of themselves.”
Photographed Gleason’s Gym in D.U.M.B.O.
Marcus Congleton
Singer in Ambulance, Ltd., 26
“I’m from Eugene, Oregon and I moved to Brooklyn in the Winter of 1999. I had just turned 20. Eugene Oregon is a great place to grow up, but I didn’t know what I wanted to do. I had been doing a bit of school and playing music in lots of different bands but I just wanted to go somewhere that had the most possibilities—the most things happening. I visited a friend who was going to Pratt and as soon as I came here I decided to move here right away. I just thought there are the most things and people here—I probably knew two black people in Oregon, never seen a Puerto Rican or a Hasidic Jew before—and that’s everyone who lives around me and it’s amazing. I came straight to Williamsburg when I moved here—it just makes the most sense for me to live here. It’s mellow, I like the Bedford area, the cafes, everything about it is really nice. And being comfortable here makes it easy for me to write my music.

Playing to the Brooklyn crowds and New York crowds have been amazing—it’s our adopted hometown. We’ve been touring all over the country and Europe too and coming back to Williamsburg—I can’t think of anywhere I’d rather be. L.A. is nice, Chicago is pretty cool, Seattle is alright, but I wouldn’t ake any of them over living here. And I realized that the last tour I came back from, just walking down Bedford—people say it’s so hipster and gentrified and that may be, but it’s pretty fucking cool. There’s some great café’s—the Grand Café—I still walk all the way over there just for their eggs benedict.”
Photographed near his home in Williamsburg.
Ron Schweiger
Official Brooklyn Borough Historian, 60
“When the Brooklyn Dodgers won the World Series in 1955, it was like Christmas, Chanukah, New Year’s and the Fourth of July all rolled into one. We all ran outside and started banging my mother’s pots and pans. Brooklyn has a history that no other borough can really compare with—and one in every seven Americans are in some way connected to Brooklyn.”
Photographed in Coney Island.
Sophie Auster
Musician/actress, 17
“It’s more intimate than the city. Especially in Park Slope – it’s a small town in a way. I used to go to Berekely Carrol which is really close by to my house – over on Garfield Place. And I went there basically from kindergarten all the way up to eight grade and then I left. So basically all the kids lived close to each other and so everyone could watch each others houses. You see a lot more diversity in Brooklyn than anywhere else – you can see a black woman with a Jewish guy, holding hands in the street. There’s just a good mix of people here. I also like how everyone is out in the street in the daytime, walking around. And there’s always some odd little things going on, people playing there guitars in the street, yard sales, kids playing in the schoolyard of PS 231.I do love Manhattan, and find myself hanging out there and going to school there, but all my friends say that they love coming to Brooklyn – that it’s so pretty and that I have such a big house as compared to all the cramped Manhattan apartments.”

When I was an infant we lived on 3rd street in an apartment with my family and that was tiny and then we moved when I was about 6 to this house. I hated it at first because when we visited I thought we would have to inherit all the furniture that was in the house. I was like ‘I don’t want that sofa in our house!’ But then when I realized I could roller-skate in the new house that’s when I started loving it.

I think the quiet atmosphere where I live has inspired me as a person and an artist. Hustle and bustle and noise can also do that but separation from that can also inspire you. I have both because I come home from Manhattan into this more quiet atmosphere. I mean things close down at midnight. There’s not as many people on the street when it gets into the wee hours of the night. In the city people are out till 6 in the morning – it’s nice to have a more peaceful place to come home to.

It’s also nice being surrounded by artists and meeting all of my parents interesting friends – many of whom live in the neighborhood. People who live in Brooklyn are just generally cooler than people who live in Manhattan because they are not so caught up in the scene of the city.”
Photographed in her backyard in Park Slope.